Morag Ballard

 

 
Geo
Oil on canvas
24 x 18”
Sold
Bosco
Oil on board
24 x 18”
Sold
Ebb
Oil on board
24 x 18”
Sold
 
 
Anatolia
Oil/acrylic on canvas
laid on board
5.75 x 8.75”
Sold
Foyer
Oil/acrylic on canvas
16 x 12”
Sold
Pelota
24” x 30”
Oil on board
£2100
 
 
Gazette
Oil on board
Signed verso
25 x 17.5cm
38 x 30cm (frame)
£850
 
Finisterre
Oil on board
18 x 24”
Sold
 
Morag Ballard_SWIFT_24 x 32ins.
 
Swift
24” x 32”
Oil on canvas
Sold
Bagatelle
33” x 41”
Oil/acrylic on canvas
£2300
Scala
28” x 30”
Oil on canvas
£2250
 
 
 

 

 

 
Ischia
33” x 41”
Oil/acrylic on canvas
£2300
Mirage
14” x 18”
Oil/acrylic on board
£1150
Corda
Oil/acrylic on canvas
24 x 30”
£1450
 
 
Pavillion
24” x 30”
Oil/acrylic on canvas
£1450
Pompeii Red
24” x 30”
Oil/acrylic on canvas
£1450
Xenon
30” x 40”
Oil on canvas
£2600
 
 
 
 
 
 
 
 
 

Installation view

 
 
 
 
 
 
 
 
 
 

MORAG BALLARD
Morag’s paintings and constructions juxtapose geometric and linear elements, which combine advancing and receding manipulations of colour, creating complex works with three-dimensional qualities. Her characteristic precision and lightness of touch, explores relationships between implied spaces using architectural inspired forms.
Born in London in 1961, Morag Ballard studied at Chelsea School of Art, London from 1981-2 where she first experimented with the interrelationships between two-dimensional and three-dimensional expressions of form.
This led her to study sculpture at Bath Academy of Art from 1982-1985. Here she studied under Michael Pennie and Ken Hughes and came into contact with some of the leading British sculptors of the time – including Richard Deacon and Antony Gormley.
In 1983 she was awarded the Gane Trust Travel Scholarship for sculpture, taking her to Carrara, Italy.
On completing her degree, Morag Ballard was awarded a student internship at the Peggy Guggenheim Collection, Venice in 1986, where she found her direction validated by the study of works of the Russian Constructivists, the paintings of Jean Helion and the boxes of Joseph Cornell.
On her return to the UK she set up a studio in South West Scotland where she began to develop her ideas through paintings, reliefs and boxed constructions.
After five years in Scotland, Morag moved to Penzance where she now lives, and works aesthetically in tune with the line of abstraction that developed in Cornwall via Naum Gabo, Peter Lanyon and John Wells.