Hamish Young
Hamish Young (b 1972, Rotherham, England). Studied MA Sculpture at the Royal College of Art (1996-98). He was elected Royal West of England Academician in 2021 and a member of the Royal Society of Sculptors in 2022. His work is held in the Victoria & Albert Museum and Royal West of England Academy collection as well as private collections.
Selected exhibitions include: Paper Works, RWA, Bristol (2025); Wells Art Contemporary Installations, Wells Cathedral (2024, 2023 & 2021); Dreaming in Fire, RWA, Bristol (2024); Casting Shadows, ACEarts, Somerton (2024); Wales Contemporary, Waterfront Gallery, Milford Haven (2023 & 2022); Royal Academy of Arts Summer Exhibition, London (2023 & 2020); Royal West of England Academy Annual Open, Bristol (2024, 2023, 2022, 2021, 2019 & 2018); Bath Society of Artists Annual Exhibition, Victoria Art Gallery, Bath (2023); This Is Me, RWA, Bristol (2022); A Closer Look, Drawing Projects UK, Trowbridge (2021); New Light Prize Exhibition and UK Tour (2021 & 2017); Visual Arts Open, Chester (2019); Trinity Buoy Wharf Drawing Prize Exhibition, London and UK Tour (2024, 2019). Awards include: Drawing Prize, Bath Society of Artists (2023); Sculpture First Prize, Wales Contemporary (2022); Winner, Visual Arts Open (2019).
Hamish lives and works in Portishead, England.
About the work ‘Ghosts’ by Hamish Young
Ghosts is an installation for Andelli Art, set within the grounds of, what was, Mendip Hospital (previously known as Somerset and Bath Pauper Lunatic Asylum). The institution bore witness to generations of shifting societal perspectives on care. The piece draws upon the history of the site, where over two and a half thousand individuals, patients and staff, were laid to rest in the local cemetery. This memorial honours their lives, intertwining themes of remembrance, fragility, and connection to place.
The installation comprises porcelain limpet shells, arranged in a circle on a square mirrored stainless-steel surface and dispersed in the gallery and grounds. The mirrored base creates an ethereal effect, reflecting the ever-changing sky, the passing clouds, and the Somerset landscape. The limpets appear to float in space, their forms suspended between earth and sky, an evocative visual metaphor for the transient and fragile nature of life itself.
The porcelain limpets, cast from creatures known for their strong attachment to rocks, embody a duality of strength and vulnerability. Just as limpets leave home scars (the marks etched on rocks to which they return at each tide) this installation symbolises the lasting imprints left by the lives of the individuals who arrived at Mendip Hospital and never left. Each shell becomes a tribute to a life once lived, transforming the installation into a profound and tangible memorial.
By integrating the reflective qualities of the mirrored surface with the natural surroundings, the work invites viewers to contemplate the connection between past and present, permanence and impermanence, land and sky. It becomes a space for quiet reflection and emotional resonance, a moment of stillness in which to remember those who are no longer here.
Images: Mendip Hospital and corridor of a women's ward c1890 courtesy of Mendip Hospital cemetery