Where Threads Meet

Andelli Art are delighted to announce Where Threads Meet, an exhibition weaving together works by Elizabeth Loveday and Cathy Snelling. Rooted in traditional craft techniques, the exhibition brings the two artists into a spirited dialogue where material and form spark off one another with warmth and wit.

At the heart of Where Threads Meet is storytelling. Both Elizabeth Loveday and Cathy Snelling create imagined worlds populated by curious characters, full of narrative and playful symbolism. Their works invite viewers to piece together stories that feel at once personal and fantastical. Through joyful experimentation and a shared sense of imagination and improvisation, the exhibition reveals harmony and contrast between the two artists.

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Exhibition runs:
9–30 May
Open Wednesday–Saturday | 10–5

PV 8 May | 6.30–8.30 (all welcome)

Elizabeth Loveday

Artist statement

I am an artist and mother from Cornwall. I come from a line of creative craftswomen who have all used alternative materials in the arts to create narrative works. My mother is a wooden automata maker, and my grandmother was a ceramicist. They both used their work to tell stories and escape the humdrum with humour and a touch of the absurd. In this, our work is linked.

My methods do not sit solely within the traditional notion of “fine art”, but draw elements from illustration, textiles and craft. Beginning with linear drawings and painting, I use fabric of different weights, textures and age, hand dying, layering and hand stitching to create narrative and decorative works. I have always used painting as a tool for experimentation in my composition of textile pieces, but in recent years it has become a second, distinct medium for me. I no longer paint purely to inform my textiles work but find instead they inform, and enrich, each other.

I view my work as a visual outlet for dialogues that exist within myself and wider society. Handling humanistic themes, I use characters loosely gleaned from Cornish folk tales and my own life to tell stories that exist within my community as it is now. It is at once comment on self, place and the interrelation between the two.

Cathy Snelling

Cathy Snelling grew up in Somerset and from a young age was making characters out of recycled boxes, fabric and trinkets.

Infusing inanimate objects with personality and humour, her works draw inspiration from archaeological relics, myths, and ancient customs and puppetry. Cathy’s passion for sewing is evident in her preference for hand stitching, a process that not only calms her mind but also allows her to delve into the hidden layers of everyday life.

Her work involves using vintage fabrics and left-behind sewing memorabilia. By creating individual items that are ultimately drawn together to form a final piece with multiple layers and hidden characters, it invokes a metaphor for trying to fit into the world — a theme that subtly influences her work throughout.

Cathy is an avid collector of vintage fabrics and accessories, such as buttons, pincushions, and thread, which she treasures as valuable elements of her creative process.

Alongside her artistic practice, Cathy Snelling has worked as a model-maker, costume-maker and rigger along with puppet maintenance for films that include Chicken Run, The House, Fantastic Mr Fox, Fireman Sam, Shaun the Sheep and The Koala Brothers for clients including Aardman, 3 Mills Studios and Nexus Studios.